Chroma: A Photographer's Guide to Lighting with Color. Nick Fancher

Chroma-A-Photographer-s-Guide-to.pdf
ISBN: 9781681983103 | 224 pages | 6 Mb

• Chroma: A Photographer's Guide to Lighting with Color
• Nick Fancher
• Page: 224
• Format: pdf, ePub, fb2, mobi
• ISBN: 9781681983103
• Publisher: Rocky Nook

Download Chroma: A Photographer's Guide to Lighting with Color

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Chroma: A Photographer's Guide to Lighting with Color by Nick Fancher Learning to work with light is an important milestone in every photographer’s career, and the ability to craft light to fit your vision for an image is a skill that cannot be overrated. Most often, that crafting of light is spoken of in terms of the quality and quantity of light. But there is an important, third component of light that heavily influences the final look of the image: the color of light. In Chroma: A Photographer’s Guide to Lighting with Color , photographer Nick Fancher helps you elevate your game when it comes to introducing the bold, creative, and intentional use of color into your work. Whether you’re using a high-powered strobe or a small hotshoe flash, Chroma is for you. Nick begins with a discussion of color theory, gels, and white balance, then examines how to determine which colors complement your subject matter (whether that’s people or products). He moves on to cover topics such as: Balancing, mixing, and overpowering ambient light with artificial light Layering colors for unique color combinations Mixing hard and soft light to achieve extremely rich color Lighting detail and texture Modifier options, such as ring flash, snoots, barn doors, softboxes, and filters Gobos to control the light Post-processing for vibrant, powerful colors How (and why) to light with color, even when the end goal is a black and white image Illustrated throughout with innovative and expressive imagery, Chroma also includes behind-the-scenes photos, lighting diagrams, and Lightroom settings so you can follow along from the initial concept through to the final edit.

The Practical Guide To Color Theory For Photographers - Fotographee
Color is visible but not tangible because it lives in light. The visible light spectrum (picture on left) that we perceive is part of a wider spectrum called the electromagnetic spectrum. A red car is perceived as a red car because the painted red surface absorbs all the visible light except for red, which reflects off the surface into  Printers for Photography Buying Guide | B&H Explora
Epson has long stood among the top printer manufacturers and it is no surprise that these printers are a favorite of many photographers, me included. Another bonus for Also, it has an 11-color LUCIA PRO pigment-based ink set with aChroma Optimizer to create color-accurate images with a wide gamut. Additionally, this  Chroma: A Photographer's Guide to Lighting with Color - Rocky Nook
Chroma. A Photographer's Guide to Lighting with Color. Nick Fancher. Learning to work with light is an important milestone in every photographer's career, and the ability to craft light to fit your vision for an image is a skill that cannot be overrated. Most often, that crafting of light is spoken of in terms of the quality and quantity. Chroma: A Photographer's Guide to Lighting with Color - Nick
Hinta: 26,50 €. nidottu, 2018. Kirja ei ole vielä ilmestynyt. Osta kirja Chroma: APhotographer's Guide to Lighting with Color Nick Fancher (ISBN 9781681983103) osoitteesta Adlibris.fi. Ilmainen toimitus. Filters and Diffusions | Rosco
A comprehensive system of surface-coated color filters that features the European name and numbering system. Cinegel. Winner of two Academy Awards®, this range allows photographers and filmmakers to color, correct and control their light. GamColor. A range of popular color filters and diffusions created by GAM,  Using Color Correction effects in After Effects - Adobe Support
Using these tools, you can adjust color, contrast, and light in your sequences in new and innovative ways. With editing and color grading working hand in . andlight pink match, for example. Chroma uses the two chrominance components to determine similarity, ignoring luminance (lightness). Invert Color 

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